Online ISSN: 1989-9572

Keywords : education

Modeling of psychological support of persons with disabilities at the University

Karpushkina N.V.; Kisova V.V.; Koneva I.A.; Kochneva E.M.; Kudryavtsev V.A.; Rossova Y.I.; Fedoseeva N.V.

Journal for Educators, Teachers and Trainers, 2021, Volume 12, Issue 1, Pages 8-14
DOI: 10.47750/jett.2021.12.01.003

The article is devoted to the description of modern approaches to modeling of psychological and
pedagogical support of persons with disabilities and disabilities in higher education. The article
presents a model of psychological and pedagogical support of students with disabilities at the main
stages of higher education, describes in detail the structural components of complex support.
The aim of the study was to develop a model of psychological and pedagogical support for persons
with disabilities and disabilities in the University. The targets, main directions and content of students
' support in the conditions of an inclusive University are defined.
The main directions of psychological and pedagogical support of persons with disabilities and
disabilities in the University are: education, diagnosis, counseling, prevention, correctional and
developmental work, research (methodological) activities, etc. The article describes in detail the content
of these areas for students with disabilities and disabilities. These directions are realized both in work
with students, and their parents, teachers of the higher school.
The modeling of psychological and pedagogical support of inclusive higher education is based on the
following principles: the principle of expansion and formation of tolerant "barrier-free" space, the
principle of subjectivity and socialization, the principle of motivation and activity, the principle of
diabolicality, the principle of variability

Women and leadership: Controversies in the educational field

Mercedes Cuevas López, Marina García Carmona, Yasmine Leulmi

Journal for Educators, Teachers and Trainers, 2014, Volume 5, Issue 3, Pages 79-92

On the road to political equality between men and women we stop at one of the variables that we consider essential: women's access to leadership and management positions in education and more specifically in the University. We try to focus on the barriers that have hindered the path to match statistics and, on the other hand, we seek to investigate the female leadership style considering it an added value for organizations in education to promote important social changes. Research in the field of educational organization, over the past decade, have made a progress in the search for good practices in management and leadership in educational contexts. At the same time, the studies try to go deeper in the difficulties for women for management. They also try to find if their leadership style affects school success, considering that in education the percentage of female teachers is very representative. Also these studies in recent years moved all these issues to the University field, trying to meet the problems of femaleUniversity professors to access management positions within a culture that is still very masculine today.

Education, disabitity and development of creativity

Mag Mabel Del Giúdice

Journal for Educators, Teachers and Trainers, 2014, Volume 5, Issue 1, Pages 90-102

The aim of this pape ris to crawl bibliograpchi -2005 to present- of the definition of creativity as a quality of the persona, process, product and context. By characterizing the creative context we focus on the influence of education for the development of creativity in people with disabilities. People with intellectual disabilities need education and job-specific training to achieve social integration and independence in their lives, the study of environmental conditions an favoring the development of creativity will real individual psychological resources for young people to resolve issues and adapt to the environment and context conditions to promote social integration. The creativity and thought process is held in two explanatory one that understands that the degree of creativity depends on the mental processes of the individual and the other, is holding the development of creativity is influenced by context. The study of the development of creativity in people with disabilities we will be challenged nativist positions, environmentalists and interactive intervention to locate alternatives for achieving adaptive behavior and participation in social life.

Teacherʼs performance: the theater classroom as a space for creation

Gilberto Icle, Marcia Dal Bello

Journal for Educators, Teachers and Trainers, 2014, Volume 5, Issue 1, Pages 139-150

This text introduces the concept of inner creative state based on the work of the Russian director and pedagogue Konstantin Stanislavski, describing and analyzing it within the original context in which it appeared in the Actor's Pedagogy. This notion is used as a tool to think the work of theater teachers in classrooms. This work, considered as a teacher's performance, where the body has a leading role, is analyzed within the student/teacher relationships. The research was based on the observation of the classes of ten teachers, at different educational levels, complemented by semi-structured interviews with them. The teachers were chosen based on their experiences as actors, in parallel to their work as theater teachers. This choice aimed at identifying traces of artistic performances in their activities. The notion of performance articulates, in this research, different dimensions of teacher/student relationships, emphasizing the body as the locus for those relationships. Therefore, the idea of an inner creative state raises, in the work of those teachers, relationships conducive to education. We highlight two inner creative states that are central to their work. The first one refers to the collective character of the relationships, revealing how the roles of teacher and student are not performed based on hierarchies. The second one shows how the transformation, either in the actual theatrical task of transforming oneself, or in the educational tasks of teaching and learning, is a constant in the classrooms of those teachers, producing a
specific ethic. This transformation as a condition for theatrical work in the classroom and as an assumption, presupposes an overflow of the work beyond the professional dimension. The inner creative state is presented, thus, as the construction of a collective ethics that transforms the subjects beyond the professional dimension.